Video Recordings


The Beatles
xxxx, 1993
10 DVDs
Picture Perfect
789 min
Picture Perfect

DVD1: July '40 to March '63
  • In My Life
  • Liverpool: The Childhood Years
  • Musical Influences - Discovering Rock & Roll
  • John, Paul & George - The Beginning of the Beatles
  • Twenty Flight Rock - The Girl Can't Help It
  • First Recordings 1958-1960
  • Stuart Sutcliffe
  • Flaming Pie - Name Origins
  • Early Tours
  • Pete Best
  • Hamburg
  • Growing Pains - Stuart Leaves
  • The Cavern
  • Decca Sessions
  • George Martin - Abbey Road Studios
  • Ringo Arrives
  • Love Me Do
  • Please, Please Me - We're No.1
DVD2: March '63 to January '64
  • In My Life - Series Flashback
  • Racing Up The Ladder
  • Touring Britain - 1963
  • From Me To You
  • Mal Evans
  • She Loves You
  • Reflections On Sudden Fame
  • It Won't Be Long
  • Beatlemania - Sweeden 1963
  • Royal Variety Performance
  • Second Album: With The Beatles
  • Early Television Appearances
  • Olympia Theatre, Paris - 1964
  • I Wanna Hold Your Hand Reaches No.1 In The U.S.
DVD3: February '63 to July '64 
  • In My Life - Series Flashback
  • Arrival In The US - February 1964
  • First Appearance on The Ed Sullivan Show
  • The Coliseum Concert -Washinton D.C.
  • Reception at the British Embassy
  • Miami Beach
  • Second Appearance on The Ed Sullivan Show
  • Return To England
  • They're Going To Put Us In The Movies!
  • Filming A Hard Day's Nigh
  • Derek Taylor Becomes Press Agent
  • World Tour 1964
  • You Can't Do That Tour Montage
  • World Premiere of A Hard Day's Night
  • Liverpool Homecoming
DVD4: August '64 to August '65 
  • In My Life - Series Flashback
  • First Major US Tour - Summer 1964
  • Meeting Bob Dylan
  • The Pressures of Touring
  • Feedback I Feel Fine
  • Recording Beatles For Sale
  • Filming Help
  • Yesterday
  • NME Poll Winner's Concert - April 11, 965
  • George Talks About His Songs
  • Ticket To Ride
  • The Beatles Receive The MBE From The Queen
  • The '65 Tour Se List - Paris 1965
  • Playing Bullrings In Spain
DVD5: August '65 to July '66
  • Series Flashback
  • Shea Stadium Concert-August 15, 1965
  • Meeting Elvis Presley
  • More Tour Pressure
  • New Musical Directions:Rubber Soul And Revolver
  • LSD-Doctor Riley
  • Day Tripper
  • We Can Work It Out
  • Taped TV Promo Films
  • Paperback Writer
  • Rain
  • Yellow Submarine
  • Tomorrow Never Knows
  • World Tour 1966-Returning To Hamburg
DVD6: July '66 to June '67
  • While My Guitar Gently Weeps
  • Trouble In The Philippines
  • Touring Takes It's Toll
  • Eleanor Rigby
  • The Last Concert-San Francisco, August 19, 1966
  • Individual Directions
  • The Making of Strawberry Fields Forever
  • Penny Lane
  • Sgt.Pepper's
  • A Day In The Life
  • Sgt.Pepper's Cover Sleeve
  • Reaction To Sgt.Pepper's
  • Drugs Reflect The Times
  • Baby You're A Rich Man
DVD7: June '67 to July '68
  • Series Flashback
  • Satellite Broadcast of All You Need is Love
  • Meeting the Maharishi
  • Brian Epstein's Death
  • Magical Mystery Tour
  • Reaction to Magical Mystery Tour
  • I Am the Walrus
  • Hello, Goodbye
  • The Apple Boutique
  • Rishkesh, India
  • Dear Prudence
  • Sexy Sadie
  • Apple Records
  • Lady Madonna
DVD8: July '68 to January '69
  • Series Flashback
  • John Meets Yoko - Band Reactions
  • The White Album
  • Revolution
  • The APlle Boutique Closes
  • Hey Jude
  • Recording at Twickenham Studios
  • Magic Alex
  • Moving to Apple
  • Billy Preston Sits In
  • The Rooftop Concert January 30, 1969
  • Don't Let Me Down
  • Get Back
DVD9: Special Features I
  • Anthology Electronic Press Kit - 1995
  • Sneak Preview of ABC Miniseries - 1995
  • ABC Miniseries Electronic Press Kit - 1995
  • Free as a Bird Promotional Video - 1995
  • George Harrison on Today Tonight - November 1995
  • Neil Aspinall, George Martin & Derek Taylor - November 1995
DVD10: Special Features II
  • Real Love Original Broacast Video - 1995
  • World Video Premiere of Real Love - 1996
  • Real Love Single Release - 1996
  • Anthology, Volume 2 TV Commercials - 1996
  • Anthology, Volume 2 Marketing Reel - 1996
  • Turner Home Entertainment Promo Reel - 1996
  • New Beatles Interviews August, 1996
  • Anthology Series: The Perfect Holiday Gift - 1996
  • Anthology, Volume 3 Promotional Spots - 1996

Story VS Performance - The 1993 Director’s Cut of Anthology focused primarily on the Beatles story, using performance footage only to enhance the story. The final version would remove much of the story and details to include as much TV and concert footage as possible. At the time this appeared to be the best approach, but in retrospect opinions may chance after hearing the uncut interviews; this was after all their one change to tell their story. Collectors have countless sources for the TV and concert footage, but only one option to hear their story as done for the Anthology series, until now that is!
Uncensored Version- comparisons between the two versions of Anthology clearly show heavy editing. An entire sequence regarding Yoko Ono and her effects on the band has been cut-down to almost nothing; only on the 1993 version will you hear unedited and sometimes unflattering comments. Many interviews did not even make it to the Anthology book. One example is George commenting on the positive experiences he had with drugs, including the famous dentist real name! The 1993 director’s cut also includes the original extended sequence on George’s songwriting later trimmed at George’s request. It becomes obvious by program 1 what you are seeing is what the director and production team assembled and presented to the band before they made numerous change request.
Program Beginnings- Each program begins with an unused animated sequence in place of the Help! Introduction.
In My Life Opening Montage- Programs 1-4 use this song montage with the commercial version using it only to start program 1. The early montage contains different shots from the final version including Allen Klein.
Flashback Montage- An early idea was to begin each program (beginning with program 2) with a flashback montage covering important material seen in the previous program, this worked well for the first few programs, but unfortunately took too much time, Beginning with program 4, the flashbacks only went as far back as the previous program
While My Guitar Gently Weeps Montage- Ideas about the montage were changing by program 5, and no song montage was used for this program. For program 6, a different approach/song was used, and for the first time it was flash forward montage, using much footage not seen elsewhere in the program. Programs 7-8 drop the montage idea entirely
Quality Of Archival Footage- At this early stage, Apple had to use what footage it had available with quality varying from poor to ex. Some of early TV appearances and newsreels are obviously taken from VHS screening tapes, and many include time-code. Some scenes contain the text “Temporary Picture” All of the new interviews and Apple owned material, including footage taken directly from the original cut of “The Long And Winding Road” look great and contains no time code. It is quite interesting to see what Apple’s film archives looked like in 1993. In 1995 Anthology producer Chips Chipperfield hinted at what this early version might look like when asked why they could not just use the original 10-hour version for the home video release “We can but that’s off-line. Off-line is a rough cut. It’s cut from whatever archive sources we have so a lot of it is VHS
Unused McCartney Interview- Programs 1&2 include an unused interview with Paul. This was the first interview shot and used before finally being replaced with a re-recorded Paul in black turtleneck With this first interview being re-shot, the stories vary from the final release
Partially Unused Harrison Interview- For most of Programs 1&2, the only Harrison interview used is the control room interview with George sporting a moustache. More than ½ of this interview was later removed and replaced with a re-recorded clean-shaven George. With much of this first interview going unused, the stories vary from the final version
Unused Neil Aspinall Interviews- For most of the first two programs, we see Neil’s first interview sessions wearing no hat, the stories heard vary from the commercial version.
Derek Taylor- Derek has a larger role in the early version of Anthology, and is featured in numerous unseen interviews
Program Endings- An early idea was to end each program with a sequence showing the progression the band was making. Examples would be an overhead view showing the move from Liverpool to London, or the move from London to the US.
Audio Outtakes- It is important to note that the 1993 Anthology uses very little studio outtake recordings. There are no created studio sequences of audio outtakes. We don’t hear any real audio outtakes until the 68 studio sessions, as the audio outtakes were still being examined at this early stage of production and were not made available to the production team just yet. But… we do get to hear the unused “Hums” ending for “A Day In The Life” along with part of take 4!
Early/Abandoned Ideas- The 1993 Anthology uses many ideas later modified or dropped entirely. The recreations of fans rooms differ greatly; TV and tour montages were created then later dropped. An early idea was to show the move from Liverpool to Abbey Road studios, done by filming an entire trip-sequence taking you from Liverpool and ending at George Martin’s door in Abbey Road Studios. Other early ideas put Paul in the film “The Girl Can’t Help It” Various other unused segments appear throughout the entire eight programs
No Closing Credits- At this early stage, none of the eight programs contain closing credits
1993 Ending- At this early stage, the documentary ends with the “Let It Be” sessions and rooftop concert. Program 8 part 1 dates from December 1993. 1994 would alter the Documentary considerably, with the three remaining Beatles reforming to record new music and joint interviews. It was at this point; the 1993 version was heavily re-edited leaving only a hint of what it had originally looked like.

Anthology - The Director's Cut

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